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Marquee has a dedicated PowerWall operator, who creates and plays out images, graphics, sponsorship elements, and video clips on these LED displays throughout the show. We are able to tailor our backgrounds and put talent in a number of different settings to keep it looking fresh with every telecast.” “In our studio, our on-set graphics and LED displays give us a number of different looks that set us apart from a traditional studio production.
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Analysts also have access to an on-air Vizrt Libero telestrator on a large LED display in the studio. To offer a variety of looks, Marquee has several on-air setups that can be used within the same studio, including a three-person desk, a casual lounge area with a couch, and a Q&A area with stools. The new studio features a wealth of 1.58-mm pixel flexible LED displays controlled by an Avid PowerWall on-set graphics system. Inside Marquee Sports Network’s studio across from Wrigley Field
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The technology we have in place will allow us to do that.” Inside the Studio: Plenty of LED in Front of the Camera, IP Gear Behind It “One of our operational goals was to build a facility where we could share resources with other properties in our portfolio, specifically with our other regional sports networks and Tennis Channel. “We chose to use the SMPTE ST 2110 suite of standards as our foundation,” says Don Roberts, VP, sports engineering and production systems, Sinclair Broadcast Group. In addition to providing flexibility and future-proofing the facility, one of the chief reasons for going with ST 2110 was to more seamlessly connect Marquee with Sinclair’s 21 other RSNs around the country, as well as with Tennis Channel. “ has given us tremendous flexibility in the way we produce, move, and deliver content throughout the plant and mobile unit,” says Schneider.
MARQUEE NETWORK TV
In addition, Marquee enlisted Mobile TV Group to build out an ST 2110-based mobile unit, which resulted in the RSN’s new 47 Flex mobile unit parked at Wrigley Field. Elise Menaker (left), Sean Marshall (center), and Ryan Sweeney on-set at Marquee Sports Network’s Wrigleyville studioĮarly on the in the network’s development, Sinclair Broadcast Group GM Mike McCarthy, his team of engineers, and Marquee’s production team, lead by SVP, Programming/Production, Mike Santini, decided to build a state-of-the-art, IP-based ST 2110-compliant facility.